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European star Franco Nero may always be remembered for his roles in Sergio Corbucci’s movies, Django, Sergei Kowalski, Yodlaf Peterson, but he made a handful of other spaghetti westerns worth watching, this one included. Nero plays Burt Sullivan, a sheriff of a Texas border town. But one day, he decides to leave the town and scuttle into Mexico in search of Cisco Delgado, the man who gunned down his father many years before. Tagging along with Burt is his younger brother, Jim, who’s inexperienced but quiet obliging with a gun. The two brothers pick up out that Delgado has made quite a life for himself, basically ruling a Mexican town and his mountainous estate with an iron hand. Burt wants to bring him benefit to Texas to face a believe, but upon meeting him discovers a vast secret that could dash him and his brother apart. An early spaghetti western from 1966, Texas, Adios could have passed for an American western in many ways. It doesn’t have that unlit, cynical feel that many later spaghettis did, but it’s mild a estimable movie for fans of the genre. Lots of pleasurable action with plenty of fistfights and shootouts. The music is marvelous, especially the main theme, but the Texas, Adios song is elegant dreadful. Fans of spaghetti westerns won’t be disappointed, there’s plenty here to recommend.
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Fair up there with Clint Eastwood and Lee Van Cleef as some of the biggest spaghetti stars, Franco Nero is very noble here as Burt Sullivan, the Texas lawman seeking vengeance on his father’s murderer. Nero was always worthy as the smart-mouthed gunman, here he’s more serious, but his role is strong objective the same. And if nothing else, it’s fun to observe Nero as a lawman for once, not an outlaw/bandit. Alberto Dell’Acqua, credited as Cole Kitosch, plays Jim, Burt’s younger brother who tags along with his brother into Mexico. Jose Suarez gets to be the villain here as Cisco Delgado, the man who killed the Sullivan’s father and now is a wealthy landowner. Delgado isn’t a typical spaghetti awful guy, but that has to do with the twist delivered about an hour in. The rest of the cast includes some recognizable faces from the more mainstream Italian westerns including Luigi Pistilli, Livio Lorenzon, Elisa Montes, José Guardiola, Gino Pernice, and Silvana Bacci.
The Blue Underground DVD is a welcome addition to any DVD collection with a challenging looking widescreen presentation, “Aid in the Saddle with Franco Nero,” a six-minute interview with Nero about his experiences in Italian westerns, a trailer, and a detailed Nero bio in menu effect. Also worth mentioning, Italian audio and English subtitles are included because the dub isn’t one of the best. So for an consuming spaghetti western led by Franco Nero, check out Texas, Adios!
Franco Nero heads down to Mexico to snag the guy who killed his father years aid, so he can stand trial in Texas. Nero’s brother tags along as well. The villain’s now living like a king down in Mexico and practically runs the whole town, so he’s certainly not gonna honest let Nero prefer him that easily. But we all know that what Franco wants, Franco gets. In fair James Bond tradition, the villain invites Nero and his brother to dinner instead of objective having them killed on the location. Why? A twist in the site, that’s why! There’s more to the relationship between the brothers and the villain that meets the notice. There’s also some revolutionaries plotting a gigantic attack, powerful to Nero’s advantage. As stated before, this spaghetti western has more in approved with the American westerns of the time. This is one of the few times you’ll scrutinize Nero as a lawman rather than an outlaw. While it may not be Django or Keoma, this is a very kindly and capable addition to the world of spaghetti westerns.
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